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  • A “Welcome to HMP/ YOI Pentonville” sign displayed on the iconic entrance pillars around the external perimeter of HM Prison Pentonville, London, United Kingdom.  The traffic safety mirror is broken, but shows the reflection of cars parked on the prison grounds. Pentonville is a local prison and holds Category B and C males and A Wing is for this who are on remand and convicted. The prison was built in 1816 as a modern prison and was uniquely designed for rehabilitation.  A Metropolitan Police van passes the entrance on the street while on patrol. (Photo by Andy Aitchison)
    UK-Justice-HMP-Pentonville-2575.jpg
  • On the 3rd birthday of an Orthodox Jewish boy he has his first ever hair cut in a ceremony called an Upsherin leaving his peyos (sideburns) to grow. Passing a mirror in his hallway this is the first moment he ever sees himself with short hair and a kippah on his head. A kippah is said to be 'A blessing on the head' and is perhaps the most instantly identifiable mark of a Jew. He will now begin to learn the Torah.
    04-Upsherin_3675.jpg
  • A walker passing the  concrete Abbot’s Cliff Sound on Abbots cliff on the 17th of January 2022 outside of Folkestone, United Kingdom. Sound mirrors were a forerunner of radar, they were an acoustic early warning system built on the south and North East coasts of England between 1916 and 1930. They were listening ears providing an early warning for incoming enemy aircraft. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Kent-Sound-Mirror-6227.jpg
  • The concrete Abbot’s Cliff Sound on Abbots cliff on the 17th of January 2022 outside of Folkestone, United Kingdom. Sound mirrors were a forerunner of radar, they were an acoustic early warning system built on the south and North East coasts of England between 1916 and 1930. They were listening ears providing an early warning for incoming enemy aircraft. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Kent-Sound-Mirror-6206.jpg
  • The concrete Abbot’s Cliff Sound on Abbots cliff on the 17th of January 2022 outside of Folkestone, United Kingdom. Sound mirrors were a forerunner of radar, they were an acoustic early warning system built on the south and North East coasts of England between 1916 and 1930. They were listening ears providing an early warning for incoming enemy aircraft. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Kent-Sound-Mirror-6204.jpg
  • A cyclist passing the concrete Abbot’s Cliff Sound on Abbots cliff on the 17th of January 2022 outside of Folkestone, United Kingdom. Sound mirrors were a forerunner of radar, they were an acoustic early warning system built on the south and North East coasts of England between 1916 and 1930. They were listening ears providing an early warning for incoming enemy aircraft. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Kent-Sound-Mirror-6201.jpg
  • The concrete Abbot’s Cliff Sound on Abbots cliff on the 17th of January 2022 outside of Folkestone, United Kingdom. Sound mirrors were a forerunner of radar, they were an acoustic early warning system built on the south and North East coasts of England between 1916 and 1930. They were listening ears providing an early warning for incoming enemy aircraft. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Kent-Sound-Mirror-6214.jpg
  • The concrete Abbot’s Cliff Sound on Abbots cliff on the 17th of January 2022 outside of Folkestone, United Kingdom. Sound mirrors were a forerunner of radar, they were an acoustic early warning system built on the south and North East coasts of England between 1916 and 1930. They were listening ears providing an early warning for incoming enemy aircraft. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Kent-Sound-Mirror-6212.jpg
  • The concrete Abbot’s Cliff Sound on Abbots cliff on the 17th of January 2022 outside of Folkestone, United Kingdom. Sound mirrors were a forerunner of radar, they were an acoustic early warning system built on the south and North East coasts of England between 1916 and 1930. They were listening ears providing an early warning for incoming enemy aircraft. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Kent-Sound-Mirror-6196.jpg
  • Walkers passing the concrete Abbot’s Cliff Sound on Abbots cliff on the 17th of January 2022 outside of Folkestone, United Kingdom. Sound mirrors were a forerunner of radar, they were an acoustic early warning system built on the south and North East coasts of England between 1916 and 1930. They were listening ears providing an early warning for incoming enemy aircraft. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Kent-Sound-Mirror-6181.jpg
  • A glass building in Whitechapel reflecting the beautiful blue sky, mirroring nature, Whitechapel, London, United Kingdom. (photo by Andrew Aitchison / In pictures via Getty Images)
    2019-London-Skyline-9194.jpg
  • ‘Invanity’ by Digital Funfair at Cheriton Light Festival 2018 on Cheriton High Street, Folkestone, Kent, United Kingdom.  (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Folkestone-Light-Festival-3908.jpg
  • The Sage, Gateshead. A centre for musical education and perfomance. Located on the banks of the river Tyne.
    UK-Gateshead-Sage-1575.jpg
  • Fatboy Slim in a hotel lift with a cleaner during a tour in Johannesburg, South Africa, 2007.
    07-dj_2482.jpg
  • Wynnie La Freak, a cabaret artist, back stage in the dressing room at Lost Vagueness in Glastonbury festival.
    05-LV_1941.jpg
  • Janus’ Fortress: Folkestone by Pilar Quinteros is a monumental sculptural head with two faces, representing Janus, the Roman god of beginnings and transitions, who was often associated with thresholds – and so also with a present poised between the past and the future on 20th of July 2021, in Folkestone, United Kingdom. The sculpture is located high up on the East Cliff, overlooking Folkestone’s harbour, and with its two faces is able to look both towards the European mainland and towards England, connecting them, as Folkestone has always done whether as a fortress or a port. It is made of chalk and plaster, and will gradually erode and disintegrate. The artist’s intention was to make a kind of anti-monument, imposing in scale but ephemeral and vulnerable. Its disintegration also mirrors (and reflects on) the gradual erosion of the chalk cliffs and coastline. The white cliffs of Dover are sometimes referred to as the fortress walls of England. The artwork is part of the Creative Folkestone Triennial 2020, The Plot, which sees 27 newly commissioned artworks appearing around the south coast seaside town. The new work builds on the work from previous triennials making Folkestone the biggest urban outdoor contemporary art exhibition in the UK. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Art-Folkestone-Triennial-2020-169...jpg
  • Janus’ Fortress: Folkestone by Pilar Quinteros is a monumental sculptural head with two faces, representing Janus, the Roman god of beginnings and transitions, who was often associated with thresholds – and so also with a present poised between the past and the future on 20th of July 2021, in Folkestone, United Kingdom. The sculpture is located high up on the East Cliff, overlooking Folkestone’s harbour, and with its two faces is able to look both towards the European mainland and towards England, connecting them, as Folkestone has always done whether as a fortress or a port. It is made of chalk and plaster, and will gradually erode and disintegrate. The artist’s intention was to make a kind of anti-monument, imposing in scale but ephemeral and vulnerable. Its disintegration also mirrors (and reflects on) the gradual erosion of the chalk cliffs and coastline. The white cliffs of Dover are sometimes referred to as the fortress walls of England. The artwork is part of the Creative Folkestone Triennial 2020, The Plot, which sees 27 newly commissioned artworks appearing around the south coast seaside town. The new work builds on the work from previous triennials making Folkestone the biggest urban outdoor contemporary art exhibition in the UK. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Art-Folkestone-Triennial-2020-168...jpg
  • Janus’ Fortress: Folkestone by Pilar Quinteros is a monumental sculptural head with two faces, representing Janus, the Roman god of beginnings and transitions, who was often associated with thresholds – and so also with a present poised between the past and the future on 20th of July 2021, in Folkestone, United Kingdom. The sculpture is located high up on the East Cliff, overlooking Folkestone’s harbour, and with its two faces is able to look both towards the European mainland and towards England, connecting them, as Folkestone has always done whether as a fortress or a port. It is made of chalk and plaster, and will gradually erode and disintegrate. The artist’s intention was to make a kind of anti-monument, imposing in scale but ephemeral and vulnerable. Its disintegration also mirrors (and reflects on) the gradual erosion of the chalk cliffs and coastline. The white cliffs of Dover are sometimes referred to as the fortress walls of England. The artwork is part of the Creative Folkestone Triennial 2020, The Plot, which sees 27 newly commissioned artworks appearing around the south coast seaside town. The new work builds on the work from previous triennials making Folkestone the biggest urban outdoor contemporary art exhibition in the UK. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Art-Folkestone-Triennial-2020-168...jpg
  • Janus’ Fortress: Folkestone by Pilar Quinteros is a monumental sculptural head with two faces, representing Janus, the Roman god of beginnings and transitions, who was often associated with thresholds – and so also with a present poised between the past and the future on 20th of July 2021, in Folkestone, United Kingdom. The sculpture is located high up on the East Cliff, overlooking Folkestone’s harbour, and with its two faces is able to look both towards the European mainland and towards England, connecting them, as Folkestone has always done whether as a fortress or a port. It is made of chalk and plaster, and will gradually erode and disintegrate. The artist’s intention was to make a kind of anti-monument, imposing in scale but ephemeral and vulnerable. Its disintegration also mirrors (and reflects on) the gradual erosion of the chalk cliffs and coastline. The white cliffs of Dover are sometimes referred to as the fortress walls of England. The artwork is part of the Creative Folkestone Triennial 2020, The Plot, which sees 27 newly commissioned artworks appearing around the south coast seaside town. The new work builds on the work from previous triennials making Folkestone the biggest urban outdoor contemporary art exhibition in the UK. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Art-Folkestone-Triennial-2020-153...jpg
  • Janus’ Fortress: Folkestone by Pilar Quinteros is a monumental sculptural head with two faces, representing Janus, the Roman god of beginnings and transitions, who was often associated with thresholds – and so also with a present poised between the past and the future on 20th of July 2021, in Folkestone, United Kingdom. The sculpture is located high up on the East Cliff, overlooking Folkestone’s harbour, and with its two faces is able to look both towards the European mainland and towards England, connecting them, as Folkestone has always done whether as a fortress or a port. It is made of chalk and plaster, and will gradually erode and disintegrate. The artist’s intention was to make a kind of anti-monument, imposing in scale but ephemeral and vulnerable. Its disintegration also mirrors (and reflects on) the gradual erosion of the chalk cliffs and coastline. The white cliffs of Dover are sometimes referred to as the fortress walls of England. The artwork is part of the Creative Folkestone Triennial 2020, The Plot, which sees 27 newly commissioned artworks appearing around the south coast seaside town. The new work builds on the work from previous triennials making Folkestone the biggest urban outdoor contemporary art exhibition in the UK. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Art-Folkestone-Triennial-2020-153...jpg
  • Janus’ Fortress: Folkestone by Pilar Quinteros is a monumental sculptural head with two faces, representing Janus, the Roman god of beginnings and transitions, who was often associated with thresholds – and so also with a present poised between the past and the future on 20th of July 2021, in Folkestone, United Kingdom. The sculpture is located high up on the East Cliff, overlooking Folkestone’s harbour, and with its two faces is able to look both towards the European mainland and towards England, connecting them, as Folkestone has always done whether as a fortress or a port. It is made of chalk and plaster, and will gradually erode and disintegrate. The artist’s intention was to make a kind of anti-monument, imposing in scale but ephemeral and vulnerable. Its disintegration also mirrors (and reflects on) the gradual erosion of the chalk cliffs and coastline. The white cliffs of Dover are sometimes referred to as the fortress walls of England. The artwork is part of the Creative Folkestone Triennial 2020, The Plot, which sees 27 newly commissioned artworks appearing around the south coast seaside town. The new work builds on the work from previous triennials making Folkestone the biggest urban outdoor contemporary art exhibition in the UK. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Art-Folkestone-Triennial-2020-152...jpg
  • Janus’ Fortress: Folkestone by Pilar Quinteros is a monumental sculptural head with two faces, representing Janus, the Roman god of beginnings and transitions, who was often associated with thresholds – and so also with a present poised between the past and the future on 20th of July 2021, in Folkestone, United Kingdom. The sculpture is located high up on the East Cliff, overlooking Folkestone’s harbour, and with its two faces is able to look both towards the European mainland and towards England, connecting them, as Folkestone has always done whether as a fortress or a port. It is made of chalk and plaster, and will gradually erode and disintegrate. The artist’s intention was to make a kind of anti-monument, imposing in scale but ephemeral and vulnerable. Its disintegration also mirrors (and reflects on) the gradual erosion of the chalk cliffs and coastline. The white cliffs of Dover are sometimes referred to as the fortress walls of England. The artwork is part of the Creative Folkestone Triennial 2020, The Plot, which sees 27 newly commissioned artworks appearing around the south coast seaside town. The new work builds on the work from previous triennials making Folkestone the biggest urban outdoor contemporary art exhibition in the UK. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Art-Folkestone-Triennial-2020-151...jpg
  • Janus’ Fortress: Folkestone by Pilar Quinteros is a monumental sculptural head with two faces, representing Janus, the Roman god of beginnings and transitions, who was often associated with thresholds – and so also with a present poised between the past and the future on 20th of July 2021, in Folkestone, United Kingdom. The sculpture is located high up on the East Cliff, overlooking Folkestone’s harbour, and with its two faces is able to look both towards the European mainland and towards England, connecting them, as Folkestone has always done whether as a fortress or a port. It is made of chalk and plaster, and will gradually erode and disintegrate. The artist’s intention was to make a kind of anti-monument, imposing in scale but ephemeral and vulnerable. Its disintegration also mirrors (and reflects on) the gradual erosion of the chalk cliffs and coastline. The white cliffs of Dover are sometimes referred to as the fortress walls of England. The artwork is part of the Creative Folkestone Triennial 2020, The Plot, which sees 27 newly commissioned artworks appearing around the south coast seaside town. The new work builds on the work from previous triennials making Folkestone the biggest urban outdoor contemporary art exhibition in the UK. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Art-Folkestone-Triennial-2020-167...jpg
  • Janus’ Fortress: Folkestone by Pilar Quinteros is a monumental sculptural head with two faces, representing Janus, the Roman god of beginnings and transitions, who was often associated with thresholds – and so also with a present poised between the past and the future on 20th of July 2021, in Folkestone, United Kingdom. The sculpture is located high up on the East Cliff, overlooking Folkestone’s harbour, and with its two faces is able to look both towards the European mainland and towards England, connecting them, as Folkestone has always done whether as a fortress or a port. It is made of chalk and plaster, and will gradually erode and disintegrate. The artist’s intention was to make a kind of anti-monument, imposing in scale but ephemeral and vulnerable. Its disintegration also mirrors (and reflects on) the gradual erosion of the chalk cliffs and coastline. The white cliffs of Dover are sometimes referred to as the fortress walls of England. The artwork is part of the Creative Folkestone Triennial 2020, The Plot, which sees 27 newly commissioned artworks appearing around the south coast seaside town. The new work builds on the work from previous triennials making Folkestone the biggest urban outdoor contemporary art exhibition in the UK. (photo by Andrew Aitchison / In pictures via Getty Images)
    UK-Art-Folkestone-Triennial-2020-151...jpg
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